Bookish Hall of Fame 2026: Biggest Rises and Falls

One of my favourite things about my Hall of Fame project is seeing how different books jump or stumble in my estimation from year to year. Here’s a list of the five biggest rises and the five deepest falls this year.

(Note on ‘relative’ increases and decreases: The overall change is about the number in the list. The ‘relative’ change is about how it compares to other titles from the previous year’s list. So for example, if a book goes down 3 places overall, but there are 12 new titles ahead of it, that means it actually increased 9 places compared to the previous year’s list. So this is a helpful measurement for how my perceptions of a book have changed year over year.)

5 Biggest Rises

  • +100+ (~200→86): Late Nights on Air by Elizabeth Hay (2007 🇨🇦): I really loved this book, but it didn’t fare well last time I went through this exercise. But after very successfully recommending it in 2025, I was reminded by just how good it is, and so it popped all the way up into the Hall of Fame this year.
  • +92 (~150→63): A Jest of God, by Margaret Laurence (1966 🇨🇦): A Canadian classic that I can’t stop thinking about. It’s no wonder it keeps rising in my estimation.
  • +53 relative places, +49 overall (82→33): Leaven of Malice, by Robertson Davies (1954 🇨🇦): What’s strange is not that one of my favourite books by my favourite author rose this high, but that it was down at 82 in the first place.
  • +40 relative places, +36 overall (94→58): Sweet Sorrow, by David Nicholls (2018): This had been falling in my rankings for a couple years because I had a hard time believing that such a light novel could be that good. But a re-read last year reaffirmed that it actually is that good.
  • +37 relative places, +33 overall (79→46): Wolf Hall, by Hilary Mantel (2009): I had a hard time getting into the world and writing of this one when I first read it. But the more distance I have from the reading experience, all that’s left is the genius.

5 Biggest Falls

  • -29 relative places,-38 overall (51→89): Binti, by Nnedi Okorafor (2015)
  • -19 relative places, -23 overall (29→52): Hotline, by Dmitri Nasrallah (2022 🇨🇦)
  • -18 relative places, -27 overall (60→87): The Great Gatsby, by F. Scott Fitzgerald (1925)
  • -14 relative places, -27 overall (70→97): How the Light Gets In, by Louise Penny (2012 🇨🇦)
  • -14 relative places, -20 overall (56-76): A Closed and Common Orbit, by Becky Chambers (2016)

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